The Genelec 8010A (opens in new tab) is a fantastic middle-ground studio monitor for those who are perhaps upgrading from a starter pair. They're the best mid-priced nearfields you can get your hands on, offering a truthful image of your track, with loads of versatility and EQ tweakability. By using the accompanying KRK app, and then making subtle alterations, you can give yourself a fighting chance of getting a balanced, accurate sound.įocal and their Shape 65 (opens in new tab) monitors take the second-place spot for us. Often, bedroom producers, or those with small studio spaces, can suffer from poor acoustic treatment. We are hugely impressed with the on-board graphic EQ of the KRK Rokit G4 series (opens in new tab). On the other hand, if you'd rather get straight to the products, keep scrolling. We've also included some in-depth buying advice (opens in new tab) at the end of this guide, so if you'd like to learn more about the best speakers for music production, we'd recommend you head straight there.

We've rounded up what we consider to be some of the best studio monitors currently on the market, from budget options to pro-quality monitoring set-up – along with the best prices online right now. This honest reflection of your music might uncover some flaws in your mixing technique, but that is ‘a good thing’! Hearing your mistakes means you can fix them, making informed choices about what might need changing, confident that the music you're hearing in your studio will translate to other systems that you play it on and, importantly, still sound great. Great studio monitor speakers are essentially designed to reveal an accurate picture of the audio you're producing.

If this is happening to you with your mixes, then it could be time to upgrade your studio monitoring set-up, and that's where this guide comes in! It will also help avoid that common scenario: where you spend hours labouring over a mix that sounds amazing on your (not so great) monitoring system, and then you play it elsewhere and it sounds awful.

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